The Moonbase

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moonbase cybermen

Everything’s got a weak point.  It’s just a question of waiting until it turns up, that’s all.

Second Doctor

Synopsis

The TARDIS lands on the Moon in 2070, where the crew are becoming infected with a strange alien virus.  With Jamie unconscious, the Doctor, Ben and Polly become aware of a mysterious silver menace.

Review

The Moonbase is perhaps notable for being the first episode to launch the “base under siege” style of Doctor Who stories, as well as cementing the Cybermen as a true A list Doctor Who villain.  Whilst the story is not perfect, it does a lot of things well, but there is some incredibly shaky scientific basis, surprising as the writer, Kit Pedler, was a scientist.  I think this story gives us Troughton’s first definitive performance as the Doctor, encapsulated by his delivery of the famous “corners” speech.

One of this story’s real strengths is that it definitely shores up the feeling of the Troughton era.  Troughton seems to have learnt where his strengths are and what sort of person the Second Doctor is.  Aside from the obvious moment, he really nails it when he realises how the Neurotrope virus is affecting the crew via the sugar, as well as the look of abject horror on his face when he realises that the crew didn’t search the medical bay.  Troughton’s face is so expressive, and he really uses it to sell the sense of impending dread.  Whilst it’s a shame that Jamie is unconscious or feverish for much of the story, the story does demonstrate the dynamics within the TARDIS team.  Both Jamie and Ben seem to have a bit of hostility towards each other, whilst it is nice that the story allows Polly to come up with a solution to defeating the Cybermen.  It’s also nice to see Ben and Polly discussing their past encounter with the Cybermen, which helps to turn the tide here, as well as bringing Jamie up to speed on their threat.

Polly Doctor Ben

Another of the strengths of the story if how it deals with the Cybermen.  By us only seeing them fleeting in the first two episodes, it effectively allows tension to be built until they are finally seen by the majority of the crew at the end of the second part.  It also allows for Hobson’s distrust of the Doctor and his companions to feel legitimate and it is a good performance by Patrick Barr.  I initially found the new voice of the Cybermen jarring and a bit irritating, but as I got used to it, actually found it more menacing and sinister than the sing-song version we get in The Tenth Planet. The use of music here also helps give the Cybermen a feeling of real dread and I particularly love the shots of the Cybermen moving across the lunar surface.

The Moonbase is definitely an episode that I’d recommend watching when looking at the development of the Second Doctor’s era as a whole, as well as seeing how the Cybermen became a classic villain.  That is not to say that it is not without flaws.  Some of the direction seems quite flat, especially whilst on the titular Moonbase, although some of the shots on the lunar surface are spectacular.  The story in places does stretch credibility, especially when the Cyber-controlled Dr. Evans is able to gain access to the controls of the Gravitron despite the base supposedly being on red alert and the fact that he is covered in black lines and wearing a Cyber control helmet.  Additionally, the conclusion to the episode feels a bit too silly for a story that by and large is a serious story that packs a lot of a threat. The Cybermen’s plan to destroy the surface of the Earth by using the Gravitron also feels pretty ridiculous and convulted plan.  None of these issues massively affected my enjoyment of the story, though I do feel as though they need to be mentioned.

Verdict: A fun, if flawed, introduction to the base under siege style of stories.  The Cybermen really have a decent second outing. 7/10

Cast: Patrick Troughton (The Doctor), Michael Craze (Ben Jackson), Anneke Wills (Polly), Frazer Hines (Jamie McCrimmon), Patrick Barr (Hobson), Andre Maranne (Benoit), Michael Wolf (Nils), John Rolfe (Sam), Alan Rowe (Voice from Space Control), Mark Heath (Ralph), Alan Rowe (Dr. Evans), Barry Ashton, Derek Calder, Arnold Chazen, Leon Maybank, Victor Pemberton, Edward Phillips, Ron Pinnell, Robin Scott, Allan Wells (Scientists), Denis McCarthy (Voice of Controller Rinberg), John Wills, Sonnie Willis, Peter Greene, Keith Goodman, Reg Whitehead (Cybermen), Peter Hawkins (Voice of Cybermen)

Writer: Kit Pedler

Director: Morris Barry

Parts: 4

Behind the Scenes

  • The Moonbase was commissioned very quickly after the broadcast of The Tenth Planet, due to uncertainty about the availability of the Daleks for future appearances and the success of the Cybermen.  Dalek creator Terry Nation was looking at opportunities to launch the infamous villains in televisions and movies in the United States.  The Cybermen would go on to reappear several times in Troughton’s run as the Doctor.
  • The first story to feature the Earth’s Moon, and the first redesign of the Cybermen.  It also marks the final usage of the original title sequence until 2013’s Day of the Doctor.
  • Episode 1 and 3 are missing, but have been animated in the BBC’s DVD release.
  • According to a story told by Anneke Wills, Patrick Troughton was nearly crushed when the Gravitron prop fell from the rigging whilst he was exploring the set.
  • Victor Pemberton, who plays an unnamed scientist, served as the show’s largely uncredited script editor from The Evil of the Daleks until The Ice Warriors, and wrote Fury From The Deep.  This makes him both one of the five people to write and act in the show and the only person to appear in a story before a story of his was broadcast.

Best Moment

I really love the moment where the Cyberman is found in the stock room.  It’s really effective and quite scary, and the story really uses shadows effectively.

Best Quote

There are some corners of the universe which have bred the most terrible things.  Things which act against everything we believe in.  They must be fought.

Second Doctor

Moonbase crew

Aliens of London

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slitheen spaceship

Every conversation with you just goes mental.  There’s no one else I can talk to. I’ve seen all that stuff up there.  The size of it.  And I can’t say a word.  Aliens and spaceships and things.  And I’m the only person on Earth who knows they exist.

Rose Tyler

Synopsis

Rose returns to Earth, only to find that the TARDIS has returned them a year after she originally left with the Doctor.  At the same time, a spaceship crash lands in the Thames, smashing through Big Ben in the process, and there are mysterious happenings at Number 10 Downing Street.  The Doctor is required.

Review

Aliens of London is the first time that the revived series really feels like it stumbles.  It may just be one of my least favourite episodes of Doctor Who that I have seen so far.  There is absolutely no subtlety here, with the story seeming like it’s been directed as an out and out comedy.  With the exception of Eccleston, Piper and Wilton, all the cast seem to be playing it for laughs.  Doctor Who doesn’t need to take itself too seriously, and a good fart joke isn’t in itself a massive problem, but the story doesn’t seem to know when to stop.  There are other elements of the episode that don’t work so well as well, but I’ll delve into them in more depth in this review.

Slitheen

The Slitheen are really the elephant in the room so I will address them first.   I don’t mind the idea of shapeshifting aliens, but the added element of the flatulence is a joke that wears thin far too quickly, and it isn’t aided by the performances of the three main actors portraying the human forms of the Slitheen.  Lines like “I’m shaking my booty” and “would you rather silent but deadly?” just make me cringe, which is partially down to the writing and partially down to their delivery, but combined, it leaves a bad taste in my mouth.  Part of me wonders why they didn’t think of bringing back the Zygons if they were going to use shape-shifting aliens – the production team obviously weren’t afraid to bring back ‘B list’ aliens, as they brought back the Autons in Rose.  I think if the direction and the actors treated the Slitheen slightly more seriously, they would be slightly less jarring to me – everything in the first series has been at least treated as a serious threat, but the treatment of the Slitheen makes them feel decidedly lightweight.  It is fine that they treat their plans on Earth as a bit of fun and a joke, but the fact that the episode itself does too seriously undermines them.

Another issue I have with this story is the fallout from Rose’s missing year, although I have to say I love the reveal at the start of the episode, more specifically the way Murray Gold’s score starts off bright and optimistic and slides into a minor key which puts the viewer on edge.  Jackie is pretty one-dimensional in her reaction to the reappearance of Rose, and thinking long term, this doesn’t really have very much impact on the relationship between Jackie and the Doctor going forward to the end of the Tyler’s time on the show.  In a way, Martha’s mother, Francine, has a much more understandable reaction after learning about the Doctor in The Lazarus Experiment than Jackie does here.  She is just angry and shouting constantly, which is understandable, but there are no hints of sorrow in this performance.  Coduri is just shrill, which just sets my teeth on edge, but I don’t think it is entirely her fault.  Again, there is no nuance to either the writing or the directing and her character suffers as a result.   The treatment of Mickey is also a bit ridiculous.  We’re led to believe that Mickey has been questioned about Rose’s disappearance and treated as if he murdered her for almost an entire year.  The story only briefly delves into the effect that this would have on a person, and Rose just asks him if he’s been seeing anyone else whilst she’s been gone.  If Mickey is going to be treated as the comedic “idiot”, which the story wants to do here too, judging by the scene in which he runs to the TARDIS whilst it is dematerialising and crashes into the wall behind it, then there’s little point in adding this detail to his character.  It goes without saying, but Mickey being suspected for Rose’s murder and Jackie’s treatment of him during this year is never explicitly mentioned again after this two-parter.

Excuse me.  Harriet Jones.  MP for Flydale North.

I’m sorry, can’t it wait?

But I did have an appointment at 3:15.

Yes.  And then a spaceship crashed in the middle of London.  I think the schedule might have changed.

Harriet Jones and Indra Ganesh

Fortunately, some of the cast are treating it as serious drama.  Eccleston, Piper and Wilton give decent performances whilst the story crashes around their ears.  Penelope Wilton gives Harriet Jones suitable gravitas and she is likeable enough, even when asked to repeatedly churn out that “Harriet Jones, MP for Flydale North” line which is initially amusing but wears thin quickly.  This is yet more evidence of Davies not knowing when to stop flogging a dead horse.  It is also really lovely to see Eccleston getting to investigate and discover on his own in this story, which is something we don’t really get to see him to do much of.  I love the Doctor’s equal disdain for the aliens who created the “mermaid” space pig and the soldier who shoots it dead, which for me is the strongest part of the episode.  I am going to put in an honourable mention for the scene where the pig is trying to break out of the morgue, which pays a rather obvious homage to Paul McGann’s regeneration scene in the TV Movie, which I only really noticed on this occasion! Billie Piper also helps to keep the story grounded, and these three performances perhaps save this story from me giving it a lower rating.

Verdict: Aliens of London might just be one of the weakest episode of the revived series.  Repeated jokes and extremely broad performances make this one to forget about as quickly as possible – the rest of the series does, anyway!  2/10

Cast: Christopher Eccleston (The Doctor), Billie Piper (Rose Tyler), Camille Coduri (Jackie Tyler), Corey Doabe (Spray Painter), Ceris Jones (Policeman), Jack Tarlton (Reporter), Lachele Carl (Trinity Wells), Andrew Marr (Himself), Matt Baker (Himself), Fiesta Mei Ling (Ru), Basil Chung (Bau), Rupert Vansittart (General Asquith), David Verrey (Joseph Green), Navin Chowdry (Indra Ganesh), Penelope Wilton (Harriet Jones), Annette Badland (Margaret Blaine), Naoko Mori (Doctor Sato), Eric Potts (Oliver Charles), Noel Clarke (Mickey Smith), Jimmy Vee (Pig), Steve Speirs (Strickland), Elizabeth Frost, Paul Kasey and Alan Ruscoe (Slitheen)

Writer: Russell T Davies

Director: Keith Boak

Doctor Rose Downing Street

Behind the Scenes

  • First two-parter of the revived series and the 700th episode of Doctor Who.
  • The final Doctor Who story to have any footage shot at Television Centre.
  • This story introduced some recurring characters and aliens for this era of Doctor Who.  The Slitheen would go on to reappear in Boom Town and The Sarah Jane Adventures, whilst it would also introduce Harriet Jones, who had several appearances later in the Tennant era.  It also introduced Toshiko Sato, who would be a member of the Torchwood 3 team in the first two series of the spin-off, Torchwood.  Finally, it marks the first appearance of newsreader Trinity Wells.
  • This story features U.N.I.T. for the first time since Battlefield.  Notably, this is the last time they are referred to as the United Nations Intelligence Task Force.
  • The story moved the narrative of the programme to a year ahead of the broadcast version, something which would continue until Planet of the Dead in 2009.
  • The next time trailer being shown immediately after the cliffhanger was criticised, and following this story, the trailer for multi-part stories would only be shown after the closing credits concluded.

Best Moment

The scenes where the Doctor is off investigating at the hospital, especially when he expresses his disgust at what the space pig is, comparing it to a “mermaid” and his anger at the U.N.I.T. soldier for shooting it dead.

Best Quote

Excuse me, would you mind not farting while I’m saving the world?

Ninth Doctor

Doctor Aliens of London

Marco Polo

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the khan and the doctor

Marco Polo was the fourth serial of Doctor Who, initially broadcast from 22nd February to 4th April 1964.  Sadly, this story is the first which is completely lost from the BBC’s Archive, although telesnap reconstructions do exist, with a condensed thirty-minute version being released on the DVD release of The Edge of Destruction.  Rather ironically, this story was one of the most distributed stories of Doctor Who in this era, which means that it is the story that has probably been wiped the most of all the missing episodes.  However, it does also mean that there is a higher probability of its return to the BBC Archive.

Marco Polo does contain some notable firsts, though.  It marks the first and only time that a broadcast story of Doctor Who linking narration and maps to allow the viewer to follow the narration more closely.  This was provided by guest star, Mark Eden, although originally it was supposed to be split between the Doctor, Ian and Barbara.  It is also the first story to feature a historical figure in the shape of Marco Polo, and rather intriguingly, the first story considered for treatment for the move to the big screen by the Walt Disney Corporation, of all people!  This fell through, however, and the Doctor’s adventures with the Daleks were adapted instead.  Finally, the story features the TARDIS being used as a plot point for the very first time, rather than as simply a means of transport.

In terms of the story, it does seem to marginalise the companions a little bit more than what came before.  William Russell in particular was annoyed by the reduced role played by Ian in this story, however, Carol Ann Ford lists it amongst her favourite serials.  The Doctor seems a bit softer here following the events of The Edge of Destruction and he certainly seems more recognisable as the Doctor in this story.  Also, rather remarkably for the time, the story does depict a multi-ethnic group, which is a positive for this story.

Synopsis

The TARDIS lands in Central Asia in 1289, with the Doctor and his companions joining the travelling caravan of Marco Polo, the Venetian explorer.  Travelling from the Pamir Plateau, through the Gobi Desert and into Imperial Cathay, they encounter many dangers, before meeting the aged Kublai Khan in Shang-Tu.  Travelling to Peking, the TARDIS team save Khan from an assassination team before travelling off in the TARDIS.

marco polo doctor susan ian ping-cho

Cast: William Hartnell (The Doctor), William Russell (Ian Chesterton), Jacqueline Hill (Barbara Wright), Carol Ann Ford (Susan Foreman), Mark Eden (Marco Polo), Derren Nesbitt (Tegana), Zienia Merten (Ping-Cho), Martin Millar (Kublai Khan), Jimmy Gardener (Chenchu), Leslie Bates (Man at Lop), Michael Guest (Mongol Bandit), Charles Wade (Malik), Philip Voss (Acomat), Paul Carson (Ling-Tau), Gabo Baraker (Wang-Lo), Tutte Lemkow (Kuiju), Claire Davenport (Empress), Peter Lawrence (Vizier), Basil Tang (Office Foreman), O. Ikeda (Yeng)

Writer: John Lucarotti

Director: Waris Hussein and John Crockett (Part 4: The Wall of Lies only)

Parts: 7 (The Roof of the World, The Singing Sands, Five Hundred Eyes, The Wall of Lies, Rider from Shang-Tu, Mighty Kublai Khan, Assassin at Peking)

Ping-Cho and Susan

The Sword of Orion

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Synopsis

Arriving in the midst of a Human – Android war, the Doctor and Charley find themselves trapped on a star destroyer facing summary execution. However, a believed vanquished foe is stirring in the Garazone system…
Review

It would be lovely to say that the Eighth Doctor’s first meeting with the Cybermen is a complete success. Sadly, this story does suffer from a somewhat generic feeling story, as well as some particularly one dimensional guest characters and a sense that this could have been a story for any Doctor and companion pairing, rather than feeling like it furthers the dynamic between the Eighth Doctor and his new companion. That being said, the performances of McGann, Fisher and Michelle Livingstone as Deeva Jansen deserve credit in a rather forgettable story. Fortunately for Big Finish, their Cybermen stories would get better!

Potentially due to the fact that the story was adapted from an Audio Visuals story, the biggest problem here is that there is nothing that relates directly to this incarnation of the Doctor and his companion. Tonally in places it feels as though it belongs in the 1980s era of stories, while the score seems to hark back to 1960s Patrick Troughton stories. This makes the Eighth Doctor feel all the more out of place, especially as there is none of this incarnation’s charm as demonstrated in the previous story. That being said, the story does evoke a sense of palpable tension during the first two parts in the build up to the reveal of the Cybermen, which I feel works really well and is impressive considering that it only has audio to do this with. The story never really grabbed me as it seemed almost too generic of a Cyberman story, although the information of the Orion War is quite an interesting idea.

Furthermore, the story does struggle with some particularly one dimensional guest characters. I feel as though Grash is probably the best example of this, as he seems to be a standard Doctor Who villainous secondary character with an itchy character We are not given enough information to really care about the crew of the Vanguard as they meet their fates, which feels like poor management of the time given. The one character who really does stand out amongst these is Deeva Jansen, played by Michelle Livingstone, who is the one character who gets anything really meaningful to contribute to the story. Livingstone plays the part of the Android double agent really well, and when she tells Charley “We learn from our creators”, it is a line delivery that is completely chilling.

Despite some limitations in the characterisation, Paul McGann continues to be a great Doctor. This story is notable for giving us this incarnation of the Doctor without any charm or twinkle, but despite this, it doesn’t feel as though McGann is giving this any less than 100%. I feel like this story wastes the opportunity to develop on the promising relationship between the Doctor and Charley, started in Storm Warning, however, despite having little or nothing to in the first part of the story, India Fisher also puts in a great performance. The Cybermen work really well on audio, despite the other limitations of the story in general, as they feel properly scary and a real threat. It sounds obvious to say now, having had Nick Briggs provide the voice of the Cybermen for nearly 13 years on television, but his vocal work really helps them feel like a genuine foe to contend with.

Verdict: Sadly, the Eighth Doctor’s first meeting with the Cybermen is a rather forgettable affair. Strong central performances from McGann and Livingstone alike save this from being awful. 3/10
Cast: Paul McGann (The Doctor), India Fisher (Charley Pollard), Bruce Montague (Grash), Michelle Livingstone (Deeva Jansen), Helen Goldwyn (Chev), Ian Marr (Ike), Hylton Collins (Vol), Toby Longworth (Kelsey), Barnaby Edwards (Digly), Mark Gatiss (Thinnes), Nicholas Briggs (Cybermen/Cyberleader), Alistair Lock (Cybermen)
Writer: Nicholas Briggs
Director: Nicholas Briggs
Parts: 4
Behind the Scenes

  • This is the first Big Finish story to feature the Cybermen, and features the first meeting of the Cybermen and the Eighth Doctor.
  • This story was adapted from an Audio Visuals production of the same name.
  • Sword of Orion marks the first performance of Nicholas Briggs as the Cybermen, a role he reprised in the revived series.

Best Quote

Is this where you start getting all superior and mysterious with me?

No. This is where, at last, I get to put the kettle on.

Charley Pollard and the Eighth Doctor

Delta and the Bannermen

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Delta and the Bannermen.jpg

A stitch in time…takes up space.

Seventh Doctor

Synopsis

The Doctor and Mel find themselves involved in the end of a war between the Chimerons and the Bannermen, with the Chimeron Queen the last of her kind.  Boarding a Nostalgia Tours bus, the TARDIS team find themselves at the Shangri’La resort which serves as the setting as a stand against genocide.

Review

Like much of Sylvester McCoy’s debut season as the Doctor, Delta and the Bannermen has an interesting premise at its core, but it is let down largely by the execution.  On the positive side, it does see a much more assured McCoy (the real McCoy?) and a frankly much better performance from Bonnie Langford, and the story is certainly different to anything that came before and definitely anything that followed.  However, the lighter tone of this story distinctly clashes with its central antagonist, Gavrok, who seems to have come from a much grittier story, and I feel that the performances of Delta and Billy, in particular, let the story down.  The story does seem to struggle with its three-part running time, it feels as though it may have benefitted more from an additional part.

Gavrok death

There are certainly tonal issues here though.  Delta and the Bannermen seems to want to have its cake and eat it, with the light tone of the holiday camp seeming at odds with the force of Gavrok and his force of Bannermen.  There are ideas here, such as a toll booth in space and the Nostalgia bus tours that seem like they wouldn’t be out of place in Hitchhiker’s Guide to the Galaxy, which are completely juxtaposed with scenes where the bus is blown up or the attack on Goronwy’s house.  I feel that it would have benefitted from being four parts rather than the three it ended up being, which would have allowed for an upping of the stakes.  The ending does feel rushed, and the Bannermen are relatively quickly and easily dispatched despite having being built up as quite menacing., which would have allowed them to do something more with the whole Billy and Delta storyline and potentially see some adverse effects of Billy taking the Chimeron substance.  Perhaps getting rid of the two Americans would help this story flow a bit beter.  It certainly feels as though there are too many ideas to fit satisfactorily into the runtime.  That being said, I do quite like the fundamental premise of the story as well as the fact that they end up being in Wales – there’s something almost quintessentially Doctor Who in this.  However, an already struggling story isn’t helped by some clunky dialogue.

I don’t just kill for the money.  It’s also something I enjoy.

Keillor

Additionally, I’ll just briefly mention the Chimeron baby, which really took me out of the story, as I just felt a bit sorry for the baby who was painted green.  Everybody at the camp seems to be almost too accepting that this alien and her child are sheltering from another alien force too.

baby delta

Life? What do you know about life, Gavrok?  You deal with death.  Lies, treachery and murder are your currency.  You promise life, but in the end it will be life which defeats you.

Seventh Doctor

Despite the story’s flaws, there are some decent performances here, both from the two regulars, as well as the guest cast.  Sylvester McCoy seems to really find his feet as the Doctor here, with everything from his awkward dancing at the Shangri La to his confrontation at the end of Part 2 with Gavrok showing us glimpses of the direction his Doctor would take.  Bonnie Langford also seems much more comfortable here than she has done in this series so far, especially when she’s joining in with the singing on the bus, and I found her far less irritating than she has been in McCoy’s previous two stories.  She also demonstrates enormous bravery when she lies to Gavrok about Delta being on the bus.  Amongst the guest cast, the highlights are certainly Sara Griffiths as Ray and Hugh David as Goronwy.  I wouldn’t have minded have Ray as a companion rather than Ace, as they do seem to have quite a few of the same personality traits, and she does show herself to be resourceful.  Hugh David gives a good performance as Goronwy, who seems to know more than he’s letting on, and has been accepted as being another Time Lord by certain fans.

Verdict: It’s sadly not a story I’d race to rewatch.  Delta and the Bannermen certainly has some ambitious ideas, however, it feels overstuffed and some elements could be removed entirely without impacting the story too much. There are some tonal issues here which don’t help either. 3/10

Cast: Sylvester McCoy (The Doctor), Bonnie Langford (Mel Bush), Don Henderson (Gavrok), Belinda Mayne (Delta), Stubby Kaye (Weismuller), Morgan Deare (Hawk), Tollmaster (Ken Dodd), Richard Davies (Burton), David Kinder (Billy), Sara Griffiths (Ray), Johnny Dennis (Murray), Brian Hibbard (Keillor), Tim Scott (Chima), Anita Graham (Bollitt), Leslie Meadows (Adlon), Robin Aspland, Keff McCulloch, Justin Myers and Ralph Salmins (The Lorrells), Tracey Wilson and Jodie Wilson (Vocalists), Goronwy (Hugh David), Martyn Geraint (Vinny), Clive Condon (Callon), Richard Mitchley (Arrex), Jessica McGough and Amy Osborn (Young Chimeron), Laura Collins and Carley Joseph (Chimeron Princess)

Writer: Malcolm Kohll

Director: Chris Clough

Parts: 3

Behind the Scenes

  • The title is a reference to the group Echo and the Bunnymen, a popular group in the 1980s.
  • At one stage during production, Bonnie Langford was considering leaving halfway through the series, and Ray was being lined up as her replacement.  However, Langford decided to stay for the complete series, and Sophie Aldred replaced her in the subsequent story, Dragonfire.  Coincidentally, Aldred auditioned for the part of Ray but was unsuccessful.
  • This story marks the introduction of the question mark handled umbrella.
  • The story features a number of famous people at the time, including Ken Dodd, Don Henderson and Hugh Lloyd.
  • This is the first three-parter since The Two Doctors, a format which remained until the end of the original series.  Originally, there was a six-part finale planned, but to save money, the decision was made to make two three-part stories with the same production team.  Only the TARDIS interior shots were shot in the studio.
  • Footage from the wrap party has recently been posted on YouTube: https://bit.ly/2HBoOwG

Best Moment

The Doctor’s face-off in Part 2 with Gavrok.

Best Quote

Actually, I think I may have gone too far.

Seventh Doctor

doctor and ray