The Children of Seth

Why do the shortest journeys seem to take the longest?

The Fifth Doctor

Synopsis

During one of Nyssa’s experiments, the TARDIS’ temporal scanner picks up a message: “Idra”. Just one word, but enough to draw the Doctor to the Archipelago of Sirius.

There, the Autarch is about to announce a new crusade. A mighty war against Seth, Prince of the Dark…

But who is Seth? What is the secret of Queen Anahita, Mistress of the Poisons? And what terror awaits on Level 14?

Review

The Children of Seth feels very different to most other Doctor Who adventures, and it is no surprise that the original idea comes from Christopher Bailey, who also wrote Kinda and Snakedance. Adapted by Marc Platt, it is a story of political machinations and manipulation of the public which Big Finish seem to love doing, but this is definitely one of the strongest examples of that kind of story. It benefits from having quite a small cast and, amongst that cast, having Honor Blackman and David Warner really raises everybody else’s performances.

As mentioned above, the story is one of political intrigue, but perhaps what makes it so effective is that it takes the time in the first part to establish the world without the Doctor and his companions being present, and does it in a way that feels pacey rather than dragging, leaving the audience longing for the TARDIS to materalise. Equally, it’s not as though the Doctor, Nyssa and Tegan are twiddling their thumbs in the scenes in the console room, with the defence intelligence drone having its circuits fried by the TARDIS’s superior circuits, which is more interesting than the usual TARDIS scenes of this era. The story is particularly dialogue heavy and there is not a word wasted, to the extent that I think that this story that will get better each time that it is listened to, as it can be quite difficult to pick everything up on the first go round. It’s not a particularly action led adventure, but the intrigue surrounding the identity of Seth and the machinations of Byzan really drives it forwards. The central idea of a common ‘bogeyman’ in the shape of Seth is a really intriguing one, especially when it is revealed that Seth is a creation of Anahita’s in her book The Trick of Darkness, a book which Byzan has destroyed all known copies of, and has been so complacent as to not even change the name. Whilst Byzan has managed to get into a position of power by reducing the roles of both Siris and Anahita, the real villain of the piece is Albis and the army of androids forbidden to take human form, and I love the fact that they don’t know how many people are androids in the general population.

The best performances come from Honor Blackman and David Warner, who bring Anahita and Autarch Siris to life so effectively. Blackman has the lion’s share of dialogue, and she is great in her interactions with the majority of the characters, especially the Doctor and Tegan. As someone whose power has been gradually eroded away by the rise of Byzan, it would be easy to see her as a good person, but she is depicted as being more ambiguous – she is described as the Queen of Poisoners, and lives up to her title when she poisons Byzan at the end of the story, and her husband, Siris, tells her to bring her poisons to where they go next. Siris has slightly less to do, but is sympathetically portrayed by David Warner, a leader suffering from dementia who has passed power on to Byzan. Warner and Blackman have believable chemistry together as a bickering couple but they do seem to genuinely care about each other.

The Fifth Doctor really is front and centre in this story, and Peter Davison puts in a good performance. He is particularly effective when he is blinded by his encounter with the defence net and is surrounded by brainwashed people in Level 14, generally referred to as Hell throughout the story. It’s funny to think of this Doctor in particular being used as a common enemy to rail against, as the Fifth Doctor is probably the most affable and likeable incarnation. The rapport between Davison’s Doctor and Queen Anahita make it believable that they have previously met and their relationship seems to be one of mutual respect. Nyssa again feels underutilised, disappearing from the narrative at times when she is banished to Level 14 and her memory wiped. However, Sarah Sutton is particularly creepy and effective when she is portraying Nyssa’s mind slipping away, with a childlike voice and giggling. On the other hand, this is really good story for Tegan, who has a lot of different things to do here as opposed to her usual characterisation, especially in the televised episodes. I really enjoyed her trying to take an interest in Nyssa’s experiment at the beginning of the story, despite the fact that she doesn’t really understand it and missing Nyssa’s joke about probability. She also gets to show a flirtatious side when she is trying to rescue the Doctor from his prison cell and probably has the most to do with Anahita, who she seems to respect despite her personal convictions about the monarchy. Janet Fielding is good here, which makes you realise how wasted she was for the majority of her run as a companion and Tegan ultimately plays an important role in the story’s climax.

An optimist, Tegan? Nyssa would have been having kittens by now.

The Fifth Doctor

Verdict: A good story with a realistic world, The Children of Seth brings this stretch of Lost Stories to a close with a bang. 8/10

Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Honor Blackman (Queen Anahita), Adrian Lukis (Byzan), David Warner (Autarch Siris), Vernon Dobtcheff (Shamur), Matt Addis (Albis), Emerald O’Hanrahan (Mira) & John Banks (Radulf Varidi).

Writer: Christopher Bailey & Marc Platt

Director: Ken Bentley

Parts: 4

Behind the Scenes

  • When the story was originally submitted to the production office in the 1980s, working titles included Manpower and May Time.

Cast Notes

  • Honor Blackman previously appeared in Terror of the Vervoids and was also offered the role of Vivien Fay in The Stones of Blood but declined for fear of being upstaged by Beatrix Lehmann.
  • Adrian Lukis has appeared in Counter Measures as Professor Jeffrey Broderick and in the Main Range (Cobwebs), The Justice of Jalxar opposite Tom Baker and Jago and Litefoot story Return of the Repressed.
  • David Warner has appeared in a lot of Doctor Who stories, including Cold War opposite Matt Smith. Warner is probably most notable for playing an alternate version of the Third Doctor in the Unbound universe for Big Finish.
  • Vernon Dobtcheff previously appeared in The War Games and has appeared in numerous Big Finish audio stories, including The Cradle of the Snake and The Genesis Chamber.
  • Matt Addis has appeared in two other Lost Stories, The Macros and Point of Entry opposite Colin Baker, as well as The Wreck of the Titan and Robophobia.
  • Emerald O’Hanrahan previously appeared in Voyage to the New World and The Ghosts of Gralstead.
  • John Banks has appeared in many Big Finish audio dramas across numerous ranges, including Missy, The Diary of River Song and The War Doctor.

Best Quote

Numbers. Like an endless cascading grid, shifting, bombarding me with information. Here or there, they cluster or thin out and I think I can see shapes but I can’t read or make sense of them yet! But I’m still her in the other world, our world, I can still smell and touch it. I’m still here.

Fifth Doctor

Previous Fifth Doctor review: Hexagora

The Children of Seth is available from the Big Finish website.

Mission to Magnus

The despised creature who owns every last woolly jumper on the planet.

Sil

Synopsis

The Doctor and Peri face enemies at every turn on the planet Magnus. There’s the Time Lord bully Anzor, who made the Doctor’s life hell during his time at the Academy. There’s also Rana Zandusia, the matriarchal ruler of the planet, who seeks to prise the secret of time travel from these alien visitors. Also on Magnus is the slug-like Sil, still bitter from his defeat on Varos and seeking to make his fortune from the most potentially destructive ends. And deep within the planet, there is something else. Another old enemy of the Doctor’s. And the future is looking decidedly colder…

Preamble

It would be remiss of me, I feel, not to mention the fact that the writer of this story, Philip Martin, sadly passed away on 13 December 2020. Martin wrote two televised stories for Doctor Who, Vengeance on Varos and Parts 5 – 8 of Trial of a Time Lord, also known as Mindwarp. He also wrote The Creed of the Kromon and Antidote to Oblivion for Big Finish Productions and created the character Sil, who also had a spin-off in the Reeltime Film Sil and the Devil Seeds of Arodor, released in 2019. Vengeance on Varos is a high point of Colin Baker’s time as the Doctor during his television run, and whilst I haven’t seen Mindwarp, I know that some hold it in high regard.

Outside of Doctor Who, Martin created the tv series Gangsters, as well as writing for Z-Cars, Tandoori Nights and Star Cops.

He sadly lost his battle with leukemia and will be much missed.

Review

Mission to Magnus is a story that has a pretty poor reputation amongst fans, which is a massive shame considering this writer’s other work, largely due to the misogyny and general sexism in this story. There are some interesting ideas at play here, but unfortunately it feels as though everything but the kitchen sink is thrown at this story which allows none of these ideas to really develop. The sound design and music feel authentically as though they could have from the 1980s, though, and there are some good performances.

There are so many ideas at play here: we have two rival planets, Magnus and Salvak, each ruled by women and men respectively, climate change, two faces from the Doctor’s past and the Ice Warriors. I feel like I say this a lot with Doctor Who, especially in the original run and I suppose it applies to these Lost Stories too, but whilst some of the central ideas are sound, it falls down when it comes to execution. The central idea of the two warring planets inhabited only by one gender is not bad, but it is characterised so poorly and generally paper thin – men are presented as war-like, whilst women are presented as rather gentler. It feels as though this is a bit of an afterthought, and ultimately the plot of this story sees one planet wanting to obtain time travel technology to prevent a rival planet penetrating their defences is a good enough driving force for a story without the added battle of the sexes element we have here. The ending also feels really awkward, with men from the planet of Salvak deciding that they will unite with the women, who have no concept of marriage.

We then have the character of Anzor, a fellow Time Lord and classmate of the Doctor’s from his days at the Prydonian Academy. Unlike some notable contemporaries of the Doctor, Anzor seems to be completely incompetent and a bit of a borish oaf, who obviously made the Doctor’s school days hell. I feel that Malcolm Rennie does a decent enough job here, and the idea of the Doctor facing off with a bully from his past feels as though it is ultimately abandoned towards the end of the first part, with a coda at the end of the story seeing him off. It is interesting to see a Time Lord like this, as whilst we have seen various different Time Lords, they tend to be knowledgeable and the Doctor’s equal, whilst Anzor is, at his heart a coward.

Then when we get to the Ice Warriors, who ultimately flip the axis of the planet to change the climate of the warm Magnus. In association with Sil, who is looking to make a killing selling warm clothing and equipment, they are looking to make it a more hospitable environment for themselves. Again, this is an interesting idea that could have profited from more time, especially as we don’t have very many stories with the Ice Warriors, and even fewer with them acting as the primary antagonist. The whole climate change subplot seems to fall by the side through the first part, so when they come back to revisit it in Part 2 and it becoming a central plot element means that it doesn’t really work as well as the story seems to think it does.

There are some good performances here, though. Nabil Shaban is superb as Sil and he feels just as slimy and unpleasant as he was in the show, thanks to some great vocal ticks and production. Sil flips between the Magnusians and the Ice Warriors with ease and has some great lines, especially when he is concerned about his survival once the Ice Warriors reveal themselves. Sil’s laugh is just as creepy on audio as it is in Vengeance on Varos. Colin Baker is good as the Sixth Doctor and it is great to see him encounter a figure from his past that brings up such feelings of fear that he has to hide behind the console and in turn, stand up to his school bully at the end of the story. Nicola Bryant doesn’t have a lot to do here as Peri, and probably suffers from being partnered with the child Vion, whose actor William Anderson gives a very one dimensional performance. His performance does not vary, which is really frustrating when he is in peril, such as when Vion and the Doctor are being chased by the Ice Warriors or Peri is being carried off – which feels all the more glaring when he’s acting opposite Colin Baker and Nicola Bryant.

Verdict: Some interesting ideas are let down by some sexist characterisation, poor acting by some actors and too many ideas. I have high hopes for the next Lost Story! 2/10

Cast: Colin Baker (The Doctor), Nicola Bryant (Peri Brown), Nabil Shaban (Sil), Malcolm Rennie (Anzor), Maggie Steed (Madame Rana Zandusia), Susan Franklyn (Jarmaya/Tace), Tina Jones (Ulema/Soma), William Townsend (Vion), Callum Witney Mills (Asam), Nicholas Briggs (Brorg/Vedikael/Grand Marshall/Ishka) & James George (Skaarg/Jarga/Hussa).

Writer: Philip Martin

Director: Lisa Bowerman

Parts: 2

Behind the Scenes

  • This story was adapted from a Target novelisation of a story intended for the original Season 23. If it had been produced, it would have been the first appearance of the Ice Warriors since The Monster of Peladon in 1974.

Cast Notes

  • Susan Franklyn also appeared in the Companion Chronicle The Library of Alexandria.
  • James George has appeared in a number of Big Finish plays, including The Condemned and The Guardians of Prophecy with Colin Baker.

Best Quote

Doctor? You have thwarted our plans before, have you not?

Once or twice. I’d rather like to do it again!

Grand Marshall and the Sixth Doctor

Previous Sixth Doctor Story: The Ultimate Evil

Hexagora

Do you know what they reminded me of? Termite mounds on Earth. On a far greater scale, of course.

The Fifth Doctor

Synopsis

When a newspaper reporter goes missing, the Doctor, Tegan and Nyssa uncover a case of alien abduction. The trail leads to the planet Luparis, and a city that appears to be a replica of Tudor-era London.

What are the monsters that lurk in the shadows? And what is the terrible secret at the heart of Luparis? To save a world, the Doctor must try and defeat the evil plans of Queen Zafira.

And one of her plans is to marry him…

Review

Part of the problems with Big Finish and their Lost Stories is that, in returning to the television eras of the respective Doctors, they undo the good work they have done with characterisation of Doctors and companions which did not really happen in the classic run. Here, the TARDIS crew get involved due to the disappearance of the boyfriend of Tegan, who is very much in her under-developed state.

As this story is based on a brief outline by Peter Ling and Hazel Adair, it must have been challenging to adapt into a full story for Paul Finch. There are some interesting ideas in her, like the faux-Tudor appearance of the town on Luparis and how the majority of the cast are dressed, which is an interesting idea and also gives the listener a visual reference of what the planet and people look like. However, to a certain extent, it feels as though Finch has overcomplicated this story which leads to Parts 3 and 4 feeling like they are exposition dumps and this becomes rapidly wearing, especially as a lot of these scenes are between Astorius and the Fifth Doctor. The central plot, that the Hexagorans are possessing humans in order to ensure their survival of an impeding Ice Age, is a good one, but when it is extended out to a potential invasion of Gallifrey and the involvement of the Time Lords feels like throwing ideas at the wall and seeing what sticks. Having the Doctor getting engaged by accident put me in mind of The Aztecs, where William Hartnell unwittingly does the same, but it feels as though the ending is a bit of a damp squib. The cliffhangers here aren’t very good either and none of them feel suitably impactful and fall flat once united with their resolutions. By the show’s very nature, cliffhangers are always going to have a handy ‘get out of jail free’ card, but here they don’t really feel very much like cliffhangers at all.

The story feels so brimming with ideas, but it seems to abandon its best one in favour of the Tegan-centric one. Nyssa here is given a potential great side-story, which ties into her origins as a noble from the planet Traken. Her noble standing is detected almost immediately after the TARDIS lands on Luparis and she is ear-marked by Lord Jezzavar as a potential Queen to overthrow Zafira, which is something that feels very in keeping for Tudor-era England. In keeping with the original run, of course, this plot line ends with a bit of a whimper when it gets to the Doctor’s wedding to Zafira and despite this sub-plot making it all the way to the fourth part, it does feel as though it is forgotten for a long period of the runtime. Instead, the focus is on Tegan, and her relationship with journalist Mike Bretherton, which is really unremarkable. This is partially due to the fact that Tegan is very much in her unlikeable and complaining mode from the television era and perhaps to Toby Hadoke’s weird Australian accent. Ultimately, I didn’t care about their relationship, which seems to be what the whole story seems to gear me towards and I think that Nyssa’s plot warranted more attention.

Despite this, there are highlights, namely the performances of both Peter Davison and Jacqueline Pearce. Davison manages to recapture the same energy in his voice from his original run, which makes it believable that this is happening in between televised adventures. Davison is a really good actor, but even he cannot save scenes of exposition that we see in the latter two parts, but he and Jacqueline Pearce really sparkle together. Pearce is probably the saving grace of this story, as she makes Queen Zafira feel both menacing and kindly. When the story relies on characters such as Jezzavar and Zellinger as the villains, who feel rather one-dimensional, Pearce takes that central role and plays it to perfection.

Verdict: I feel I say this a lot, but this story has an interesting central premise, but feels like it tries to do too much more. Peter Davison and Jacqueline Pearce do put in good performances. 3/10

Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Jacqueline Pearce (Queen Zafira/Bev), Toby Hadoke (Mike Bretherton), Richard Mark (Lord Jezzavar), Dan Starkey (Lord Zellinger/Bill) & Sean Brosnan (Astorius).

Writer: Peter Ling & Hazel Adair, adapted by Paul Finch

Director: Ken Bentley

Parts: 4

Behind the Scenes

  • This story would have originally been intended to appear in Season 21, with the Fifth Doctor and Peri.
  • The story was originally to have been entitled Hex, however, this was changed due to the Big Finish companion, Hex.
  • After The Foe From The Future and The Valley of Death, this is the third story in the Lost Stories range to partially take place in 1977.

Cast Notes

  • Jacqueline Pearce appeared as Chessene in The Two Doctors. She also appeared opposite the War Doctor and the Eighth Doctor as Cardinal Ollistra.
  • Toby Hadoke is possibly best known amongst Doctor Who fans as the moderator on a number of Classic Series commentaries. He has also appeared in An Adventure in Space and Time, as well as numerous appearances in Big Finish audios.
  • Dan Starkey has played Sontarans in the revived series, most notably Strax. He has also appeared in a number of Big Finish audio plays and has also co-written Terror of the Sontarans with John Dorney and written Interlude.
  • Sean Brosnan marks his second appearance – he previously appeared in The Angel of Scutari and would go on to appear in Masquerade.

Best Quote

I’m surprised, Doctor. For a man of wisdom, I’d thought you’d recognise the benefits of being married to a queen.”

For a man of wisdom, I’d have thought you’d recognise the drawbacks.

Astorius and the Fifth Doctor

Previous Story: The Elite

The Ultimate Evil

Synopsis

With the TARDIS working perfectly, the Doctor and Peri use a gadget from the storage locker to find a holiday destination. On arriving on the seemingly peaceful planet of Tranquelya, they find that a hate ray is sweeping the continent, turning the civilians into rampant beasts and it can only originate from the other continent, home to their ancient enemies, Ameliarians.

Review

I came into this story with quite high expectations thanks to enjoying The Elite and enjoying The Nightmare Fair. Sadly, The Ultimate Evil feels a bit of a disappointment. Whilst the idea at the story’s core is a good one, it is let down by some poorly written dialogue and overacting.

One thing that is fantastic about this story is the sound design by Nigel Fairs, which does phenomenal work in evoking the Sixth Doctor’s television era. It is small things like this that really make a big difference to these Lost Stories and gives a narrative shorthand to where we are in the timeline of the Doctor and Peri’s relationship, for instance. In all of the Lost Stories that I’ve reviewed so far, the music and general sound design has been fantastic for establishing this. Helen Goldwyn’s direction also helps to recreate the feeling of a continuation from Season 23, and largely manages to keep the guest performances on the right side of overblown. That being said, she can’t do very much about the fact that Mordant

I think the biggest problem with The Ultimate Evil is that it feels pretty derivative of Vengeance on Varos, which, in my opinion is a far superior story. The very nature of having an antagonist who is watching the Doctor’s every move feels familiar and the general atmosphere of the story feels very gritty, which is both a plus and a minus. I’m not sure that Doctor Who, regardless of trouble behind the scenes, could have survived having two back-to-back Seasons with the tone of Season 22. Ultimately, the story feels so genuine Saward-era Doctor Who because the Doctor and Peri are absent from the main action for over thirty minutes of the narrative. It is no secret that Eric Saward was not in favour of the casting of Colin Baker as the Doctor, and the way he dealt with this was by keeping the Doctor apart from the action for as long as he possibly could. As much as I liked the Doctor’s outrage and feelings of betrayal that the TARDIS is working perfectly when he has nowhere in particular to be, the longer this scene goes on it just feels like a diversion. That being said, Daly’s story does having some interesting ideas. I like the idea of weaponising emotions like anger and fear, that Mordant is attempting to sell to the Tranquelans to restart the war with their neighbouring continent. I also liked the fact that when the Doctor visited them to warn them of the impending attack, the Amelierians were not the traditional peaceful society that we see in other stories, for instance Genesis of the Daleks. There are also ideas that aren’t developed fully, for instance, the fact that Peri is a doppelganger for Mariana, who dies at the beginning of the story. Despite being mentioned a couple of times and being given as justifications for the Tranquelans being so angry when the Doctor and Peri arrive, not very much else is done with this, and ultimately it feels pointless when it is revealed that Mariana is, in fact alive in the story’s closing moments.

The guest cast here are really quite similar and there are few stand-out performances. Mordant feels like rehash of Sil as well, which is ultimately disappointing and as he spends what feels like most of the story maniacally laughing, it is difficult to take him too seriously. Robin Sebastian does his best with what is essentially a one-dimensional villain who feels as though he is ultimately dispatched too easily by the Doctor. Guy Burgess does bring some feelings of distrust and sliminess to the character of Escoval, the traitor, but otherwise they are pretty non-descript.

Colin Baker and Nicola Bryant are pretty good here, even if the narrative sees them spend most of the story apart. They are both particularly good in the opening TARDIS scenes, which highlights how their relationship has become a bit more amiable. Colin Baker and script editor John Dorney reflect on how the character has changed in the interviews, highlighting elements like the Doctor’s tendency to repeat words getting more and more outraged as a shorthand to do this, which is something that I hadn’t really noticed before.

Verdict: Sadly, The Ultimate Evil is quite bland and derivative, which is a shame because it does have an interesting idea at its heart. It’s worth a listen but probably doesn’t have much replay value. 3/10

Cast: Colin Baker (The Doctor), Nicola Bryant (Peri Brown/Mariana), Robin Sebastian (Mordant), Kim Durham (Abatan), Guy Burgess (Escoval), Jack Forsyth-Noble (Locas), Paul Panting (Ravlos), Issy Van Randwyck (Koreelya), Jack Myers (Shankel/Leader) & Wally K Daly (The Bird).

Writer: Wally K Daly

Director: Helen Goldwyn

Parts: 2

Behind the Scenes

  • Big Finish did attempt to obtain the rights for this story in the original run of Lost Stories, however, Wally K Daly was involved in adapting the story for a version for the RNIB. The story had previously been novelised for Target Books.
  • Had the story been made for television, it would have been directed by Fiona Cumming.

Cast Notes

  • Robin Sebastian has also appeared in The Masquerade of Death and Imperatrix.
  • Paul Panting has appeared in a number of Big Finish plays, including Revenge of the Swarm and Mistfall.
  • Issy Van Randwyck has appeared in Family Matters, Requiem for the Doctor and Carnival of Angels.

Best Quote

Look at this, Peri!

Hmm…an ostrich egg on a plinth.

You have no idea. Follow me!

The Sixth Doctor and Peri Brown

Previous Sixth Doctor Review: The Nightmare Fair

The Abominable Snowmen

Victoria, I think that this is one of those instances where discretion is the better part of valour: Jamie has a plan.

The Second Doctor

Synopsis

The Doctor, Jamie and Victoria arrive in Tibet in the 1930s, where the usually gentle Yeti have besieged a Buddhist monastery, and the the TARDIS team become ensnared in the plans of the Great Intelligence.

The Story

It feels as though we constantly hit a story in the Troughton era with parts missing. The Abominable Snowmen is no exception, with only the second episode still existing. I have watched some fan-made reconstructions to get a feel for the story, but I don’t think it’s fair to give it a rating based on these. If in the future, an animated version is released, then I’ll review it then – like I did with The Faceless Ones earlier this year.

This story is notable for introducing the Great Intelligence, who would reappear in The Web of Fear, later in Season 5. The Great Intelligence currently holds the record for the longest period between onscreen appearances at 44 years, reappearing in The Snowmen in 2012, voiced firstly by Sir Ian McKellen and then portrayed by Richard E. Grant. Created by the writers of this story, curiously, Haisman and Lincoln did not receive a credit for the creation when it returned in 2012. The Intelligence went on to feature in the expanded universe, appearing in Big Finish audio stories such as The Web of Time opposite River Song, set prior to the Second Doctor’s arrival in this story and in books, most frequently the Candy Jar published books about the Brigadier’s childhood and life prior to meeting the Doctor.

The story also has another recurring character who would go on to appear in The Web of Fear, in the shape of Edward Travers, played by Jack Watling, Deborah Watling’s father. It is his endeavour to find a real life Yeti that links the two stories, with the story starting with a Yeti killing his travelling companion, John in the story’s opening moments. The Doctor comes to visit the scene of a previous and unseen adventure, only to find that the situation has changed as the Great Intelligence seeks freedom from the astral plane, possessing the body of Padmasmbhava in his quest to do so.

The Abominable Snowmen has a pretty solid reputation to live up to, and I would love to see it either found again or brought back via the means of animation, with memorable creatures and villain. Having not known much about this story before researching it and now knowing how it ties into The Web of Fear, I’m now looking forward to seeing the returning elements!

Cast: Patrick Troughton (The Doctor), Frazer Hines (Jamie McCrimmon), Deborah Watling (Victoria Waterfield), Jack Watling (Professor Edward Travers), Wolfe Morris (Padmasambhava), Charles Morgan (Songsten), Norman Jones (Khrisong), David Grey (Rinchen), David Spenser (Thonmi), Raymond Llewellyn (Sapan), David Baron (Ralpachan) & Reg Whitehead, Tony Harwood, Richard Kerley and John Hogan (Yeti).

Writer: Mervyn Haisman & Henry Lincoln

Director: Gerald Blake

Parts: 6

Cast Notes

  • Norman Jones would later appear in The Silurians and The Masque of Mandragora.
  • David Baron is often erroneously claimed to be Harold Pinter, as this was his Equity name, however Pinter had abandoned the name before production on this story had commenced.