The Dæmons

Chap with the wings there. Five rounds rapid.

Brigadier Lethbridge-Stewart

Synopsis

In the village of Devil’s End, the Master is at working summoning cloven-hoofed demons to bow the residents to his will. With the village sealed off to the outside world, the Doctor and Jo have to race against time to stop the Master destroying the whole world.

Review

The Dæmons is possibly the most quintessential Third Doctor stories, and your individual reaction to this story will largely depend on your opinion of his era. It will come as no surprise to people who have read my other blogs on this era that this is one of my favourites, and I particularly love the UNIT family, so it’s safe to say that I really enjoyed this one. That’s not to say that this story is without flaws, however, and it’s certainly a divisive story in certain sectors of the fan community.

My main issue with this story is that it feels a bit too long, even though it is only five parts and I feel that it may have been a push if it had been six parts as originally intended. Whilst I like the delay in UNIT getting involved in the story, it does feel as though these scenes, as well as those with the Brigadier and Sergeant Osgood being held outside of Devil’s End by the heat barrier are just padding. In my opinion, The Dæmons would work better as a tight four-part story with fewer of these scenes. The Brigadier also gets some suspect dialogue, and it is a testament to Nicholas Courtney’s acting ability that he makes these feel real.

Despite this, the story in general is strong and feels as though the writers had done their research, or were at least aided by Damaris Hayman, playing Miss Hawthorne. The story deals with her character surprisingly sympathetically, as Miss Hawthorne is a white witch and it would be all too easy to characterise her as a bit crazy. Instead, she is shown as resourceful and a great help to the Doctor and his allies, especially Benton. The story also gives what seems like a perfectly feasible endgame for the Master after his repeated appearances in Pertwee’s second season, with his aim being world domination, if not, global destruction. The presence of a BBC News crew (from BBC 3, no less) gives this story a feeling of urgency and some degree of scale, which is needed before the Doctor turns up. With producer Barry Letts writing the backbone of this story, it is unsurprising that the regulars all get their moments to shine, even if the Brigadier has to wait a bit longer for his. The story benefits from the direction of Christopher Barry, who uses simple and effective tools to cover up the perennial problem of not having the budget to effectively tell the whole story, along with some strong demonic imagery which make this effective. Of all the effects, the one of Bok reforming after enduring heavy fire from the UNIT troops is fantastic. Barry also makes the action sequences synonymous with the Pertwee era look great, especially the sequence with Girton in the helicopter attempting to get the Doctor to drive into the heat barrier around Devil’s End. Barry also deserves a lot of credit for not making the sequence with the Morris Dancers surrounding the Doctor look laughable, which it so easily could have done in other hands. It would be remiss of me to not mention the location filming in Aldbourne, which is another of the stars and was a great choice for the sleepy village.

The regulars here are all on fine form. Jon Pertwee and Katy Manning are fantastic as the Doctor and Jo, and for moments where the Doctor is condescending to her, we get scenes like the one before they go into the Barrow where he shows real concern for her well-being by giving her the option to stay outside, which of course, she refuses! Jo is of course responsible for the ultimate defeat of Azal by putting her life on the line for the Doctor, a move that he cannot comprehend. It is lovely to see Benton and Yates in their civvies, and the Brigadier all dressed up. All three actors put in great performances, but Courtney is the real stand out, especially in the scene where he learns that Benton and Yates have gone to Devil’s End. I haven’t really suffered with ‘Master fatigue’ due to the way that I’m watching stories in order to post these reviews, and Delgado is good here again.

The Dæmons are used quite effectively here. As mentioned above, Barry only shows us Azal sparingly so that we can avoid the use of too much Colour Separation Overlay (CSO), and although Bok is clearly a man in a costume, he is quite effectively creepy and I didn’t have any trouble buying him as a gargoyle who had started moving about. Stephen Thorne is great as Azal, and it is easy to see why the production team would call him back to play similarly intimidating characters later on in the future.

Verdict: A good fun episode, which could only potentially be improved by reducing the run time, The Dæmons is deserves its place in the best stories of Jon Pertwee’s era. 8/10

Cast: Jon Pertwee (The Doctor), Katy Manning (Jo Grant), Nicholas Courtney (Brigadier Lethbridge-Stewart), Roger Delgado (The Master), Richard Franklin (Captain Mike Yates), John Levene (Sergeant Benton), Damaris Hayman (Miss Hawthorne), Don McKillop (Bert the Landlord), Rollo Gamble (Winstanley), Robin Wentworth (Prof. Horner), David Simeon (Alastair Fergus), James Snell (Harry), John Joyce (Garvin), Eric Hillyard (Dr. Reeves), Jon Croft (Tom Girton), Christopher Wray (PC Groom), Gerald Taylor (Baker’s Man), Stanley Mason (Bok), Alec Linstead (Sergeant Osgood), John Owens (Thorpe), Stephen Thorne (Azal), The Headington Quarry Men (Morris Dancers) & Matthew Corbett (Jones).

Writer: Guy Leopold (Robert Sloman & Barry Letts)

Director: Christopher Barry

Parts: 5

Behind the Scenes

  • One of the eleven televised stories not to feature the Doctor’s TARDIS.
  • The story was filmed in Aldbourne in Wiltshire.
  • The shot of the exploded helicopter was an used shot from the James Bond film From Russia With Love. The shot was so convincing that some members of the audience were convinced that a real helicopter had been destroyed.
  • This story concludes a season-long run of stories featuring the Master. Roger Delgado would appear in the following two seasons, appearing in two stories in Season 9 and one in Season 10.
  • The last five part Doctor Who story.
  • The incantation used by the Master is ‘Mary had a Little Lamb’ backwards. It was originally The Lord’s Prayer spoken backwards but BBC bosses objected.
  • Many viewers believed that the model of the church destroyed in the final episode was the actual church and the BBC received complaints.
  • It was originally intended to be a six-part story but was cut down due to production difficulties.

Cast Notes

  • David Simeon had previously appeared in Inferno.
  • Damaris Hayman acted as an unofficial adviser whilst on the show as she had an interest in the supernatural.
  • Stephen Thorne would go on to appear as further costumed villains in The Three Doctors, Frontier in Space and The Hand of Fear.

Best Moment

Best Quote

I see. So all we’ve got to deal with is something which is either too small to see or thirty feet tall, can incinerate you or freeze you to death, turn stone images into homicidal monsters and looks like the devil.

Exactly.

Mike Yates and the Third Doctor

Previous Third Doctor Review: Colony in Space

Colony in Space

It’s always innocent bystanders who suffer.

The Master

Synopsis

The Time Lords discover that the Master has stolen their file on the Doomsday Weapon, and so enlist the Doctor and Jo to help deal with the crisis. On arriving on the planet Uxarieus, they became involved in a struggle between human colonists and a powerful mining company determined to evict them.

Review

Colony in Space marks the first time since Patrick Troughton’s regeneration story, The War Games, that the Third Doctor has left Earth. From a production standpoint, this was to prevent the monotony of what they saw as the two main Earth-bound stories, the evil scientist and the alien invasion. Whilst the production is undoubtedly filmed in a rain-sodden quarry somewhere in England, it is quite refreshing to see this Doctor and companion pairing given some time away from the Brigadier and UNIT. It has quite a clear political message – even in the future, the corporations are calling the shots – which isn’t exactly subtle!

One of the story’s biggest issues is that it does feel quite slow and repetitive in places, with the dispute between the Interplanetary Mining Corporation (IMC) and the colonists on Uxarieus feeling like some quite mature science fiction and I think that children would certainly struggle with this story. At six parts long, it feels as though it would be much more effective and memorable as a four-parter, as having the colonists attack the IMC twice and win twice does feel quite repetitive here. I really enjoyed the first two parts of this story but thought that it began to drag once Jo was captured by the Uxarieans and struggled to regain my interest until the Master showed up in Part 4. The native aliens are very much bog standard Doctor Who aliens, and their inclusion does feel like a bit of an afterthought, as does the whole Doomsday weapon subplot, which is built up to be important by the Time Lords at the start of the story, but seems to be largely forgotten.

The story does feature some really good direction and the general production standard is good. The titular colony and the Uxariean underground civilisation are excellent examples of set design, and whilst this might not be Michael Briant’s best story to judge his talents as director, he definitely has moments of visual flair and manages to make the robot look threatening at the end of part one despite the ridiculous ‘reptile’ hands. The show also deserves a lot of credit for finding the quarry of the week as it does appear to be completely inhospitable and so it is believable when the Doctor and Ashe discuss the failing crop yields at the beginning of the story. Briant also makes the colony feel claustrophobic and uncomfortable especially in the scenes when they are unaware that they have a traitor in their midst in the shape of Norton.

The main villains of the piece are Captain Dent and Morgan from IMC, alongside the Master when he eventually shows up. Dent and Morgan are good villains, shown to have no scruples about their attempts to convince Ashe and the colonists to leave Uraxeius and their actions and dialogue make it clear that they are unafraid of the leaders of the overcrowded planet Earth and any potential consequences that they may suffer. Hulke here is clearly warning about the dangers of unaccountable corporations acting in similar ways. Caldwell presents a more sympathetic character, expressing some concerns about the legality and morality of what they are doing in order to get their hands on the substantive amounts of Duralinium, but he is prevented from taking his concerns further by Dent’s threats that he will ensure that Caldwell never works again. These three actors all do good jobs, especially Morris Perry as Dent who is really sinister at times. The other antagonist is the Master, who continues his streak of appearing in every story in Season 8. I know some are critical of this, however, I rather enjoyed the fact that his appearance on screen was held back here and found that his presence elevated the latter half of the story which could have really dragged otherwise. Delgado is such an engaging presence on screen that it almost distracts from other deficiencies in the story, especially in his scenes with Pertwee, even if the Doomsday Weapon subplot is a bit rubbish.

Speaking of Jon Pertwee, this is another good performance from him as the Third Doctor and his delight at being able to travel off the Earth is palpable in part one, even if he is annoyed at the fact that this does not mean he can control his TARDIS again. The Doctor and Jo spend very little time together once they have travelled to the planet and as much as I like the character and Katy Manning’s performances generally, she is portrayed as a typical damsel in distress here. Amongst the colonists, there are also no real stand out performances and the characters largely feel bland and interchangeable.

Verdict: A good if not exceptional first adventure off Earth for the Third Doctor would have benefited greatly from being shorter. Michael Briant and the rest of the production team deserve praise for some lovely direction and set design though. 6/10

Cast: Jon Pertwee (The Doctor), Katy Manning (Jo Grant), Nicholas Courtney (Brigadier Lethbridge-Stewart), Nicholas Pennell (Winton), John Ringham (Ashe), David Webb (Leeson), Sheila Grant (Jane Leeson), Roy Skelton (Norton), Helen Worth (Mary Ashe), John Line (Martin), Mitzi Webster (Mrs Martin), John Scott Martin (Robot), Pat Gorman (Primitive, Voice, Long and Colonist), Peter Forbes-Robertson (Time Lord), John Baker (Time Lord), Graham Leaman (Time Lord), Bernard Kay (Caldwell), Morris Perry (Dent), Tony Caunter (Morgan), John Herrington (Holden), Stanley McGeagh (Allen), Roger Delgado (The Master), John Tordoff (Alec Leeson), Norman Atkyns (Guardian) & Roy Heymann (Alien Priest),.

Writer: Malcolm Hulke

Director: Michael Briant

Parts: 6

Behind the Scenes

  • The first off-Earth story recorded in colour and Jo Grant is the first companion to travel with the Doctor in the TARDIS since The War Games.
  • The story introduces a new model of the sonic screwdriver and also marks the start of it being used more often.
  • The first directorial credit for Michael Briant, who had been with the show since the Innes Lloyd and Peter Bryant eras. He also provides the voice-over for the propaganda film in the second episode.
  • The working title for this story was The Colony.

Cast Notes

  • Susan Jameson was originally cast as Morgan, however, after the BBC’s Head of Drama Serials made an intervention, the role was given to Tony Caunter as the role was deemed inappropriate for a woman to play in a show targeted at families as it could have been unintentally deemed to be sexual. As Jameson had signed a contract, she was paid in full.
  • Tony Caunter had previously appeared in The Crusade and would go on to appear in Enlightenment.
  • Sheila Grant previously voiced the Quarks in The Dominators.
  • Roy Skelton makes his first on screen appearance here, and would later appear in The Green Death. He had done voice work for the show since The Ark and is probably best known as the voice of the Daleks from Evil of the Daleks until Remembrance of the Daleks. He also voiced the Monoids and Cybermen.
  • John Line appeared in the stage play The Curse of the Daleks and the audio adaptation of the same produced by Big Finish.
  • Mitzi McKenzie went on to appear in The Green Death.
  • Peter Forbes-Robertson previously appeared as a guard in The Power of the Daleks and was the Chief Sea Devil in The Sea Devils.
  • John Baker appeared in The Visitation.
  • Graham Leaman makes his fourth of five appearances in Doctor Who here. His final appearance would be in The Three Doctors.
  • Bernard Kay makes his final appearance in a Doctor Who story, having previously been in The Dalek Invasion of Earth, The Crusade and The Faceless Ones.
  • John Herrington previously appeared in The Daleks’ Master Plan.
  • Stanley McGeagh and Norman Atkyns would go on to appear in The Sea Devils.
  • Roy Heymann would later appear in Death to the Daleks.

Best Moment

It’s not a traditionally great moment, but I do like the top and tail scenes with the Brigadier, especially when the Doctor and Jo decide not to tell the Brigadier that they have been on a trip away from Headquarters.

Best Quote

One must rule or serve. That is the basic law of life. Why do you hesitate? Surely it’s not loyalty to the Time Lords, who exiled you to one insignificant planet.

You’ll never understand. I want to see the universe, not rule it.

The Master and the Third Doctor

Previous Third Doctor review: The Claws of Axos

The Claws of Axos

Claws of Axos - Axons

Obviously the Time Lords have programmed the TARDIS always to return to Earth.  It seems that I am some sort of intergalactic yo-yo!

The Third Doctor

Synopsis

A group of gold-skinned aliens arrive on Earth offering a seemingly magical element in return for fuel.  The Doctor sees through their seeming benevolence and uncovers their true nature, ultimately teaming up with his adversary the Master in efforts to take them down.

Review

It’ll be no secret to anybody who has read my other blogs about the Jon Pertwee era that it is one that I am immensely fond of.  I really enjoy the Third Doctor’s man of action, the UNIT Family (especially the Brigadier!) and Roger Delgado, however, that doesn’t stop me from seeing how formulaic things get.  The Claws of Axos is a solid, if unremarkable, story with a lot of familiar elements and I acknowledge that it is unfair to lay all the faults of Season 8 squarely at the door of this serial.

As mentioned above, all of the hallmarks of the Third Doctor’s era are here.  We have an interfering civil servant in the shape of Mr Chinn, played by Peter Bathurst, who gives a good performance as an utter jobsworth who seems to be equally despised by the Doctor, UNIT and the Ministry that he serves.  Chinn is shown to be the worst of humanity when he is presented with the Axonite, only wanting it to benefit Britain and being extremely reluctant even when instructed by the Minister to share it with the rest of the World.  There is somewhat of a see-saw of control in this story, as the Brigadier and Chinn are constantly vying to stay in control of the situation surrounding the seemingly distressed Axon craft, with the Brigadier, Benton and Yates arrested by the military at one point.  Whilst other civil servants have acted foolishly (see Geoffrey Palmer’s infected Masters in The Silurians) or acted antagonistically towards the Doctor and the Brigadier, Chinn seems completely callous.  When he wanders into the reactor room towards the serial’s conclusion, he is more concerned about the potential impact on his career than the fate of the Earth.

Ah, Mister Chinn.  Where have you been hiding yourself?  Canteen?

As it so happens, I’ve been doing your job!

Oh yes?

Trying to do something about the situation.

Which particular situation?

Axonite, Brigadier, Axonite.  Do you realise that Britain’s going to get the blame for all this? 

Britain or you, Mister Chinn?

Well, if you won’t get me the Ministry…where’s Hardiman?

Dead.

Brigadier Lethbridge-Stewart and Chinn

Despite the story being quite formulaic, I do quite like the Axons.  There is certainly something about their gold faces and bug-like eyes which is rather unsettling and they are rather unique in the grand scheme of Doctor Who foes, seemingly being a benevolent force.  The costumes in both their humanoid and “raw” forms are quite effectively creepy and I like the idea of them being an embodiment of their ship.  Their plan is an allusion to the fuel crisis in the 1970s, with Axonite being gifted to the humans as a substitute fuel and a “chameleon element”.  When it is sold to humanity like that, it is perhaps not surprising that Chinn would take this attitude to hoard the supplies for Britain, and it is only with the intervention of the Master that Axos’s plan gets back on track.

Claws of Axos - Master

Speaking of the Master, Roger Delgado is great as usual.  He is able to easily manage scenes like hypnotising the UNIT truck driver and using a frankly ludicrous disguise to get past Benton with his usual charming and suave demeanour, and it is perhaps difficult to see any of his successors in the role managing to pull this off in the same way.  The one element that doesn’t really work is the presence of Bill Filer, an American agent sent to arrest the Master, not helped by an accent that could be described as shaky at best.  Despite this, I’m still not bored of the Master turning up every episode, and it is nice to see the Doctor and the Master finally working together to defeat Axos.  Considering how spiky the Third Doctor has been in his tenure to date, it is not surprising to see his abandonment of humanity once he has an inkling of a way off the planet and the scenes with the Master and the Doctor in the TARDIS are a joy.  It’s equally nice to see the Master almost acting as the scientific advisor to UNIT and the Master’s frustration that the Brigadier won’t simply let him leave his fantastic.

Claws of Axos - Brigadier, Master, Filer

If I had one major criticism, it would be that Katy Manning doesn’t really have very much to do here.  This might be in part why I am not keen on the character of Bill Filer, as his role could have been much better filled by Jo, especially the initial discovery of the Master.  I do like Jo as a companion, so it is a shame to see her reduced to a bit part here, especially as she is one of two women who appear in this story.

Verdict: Whilst the story is almost a paint by numbers Earth invasion story, there are moments that redeem it from becoming completely formulaic.  This is probably helped by decent performances from the regulars, especially Delgado. 6/10

Cast: Jon Pertwee (The Doctor), Katy Manning (Jo Grant), Nicholas Courtney (Brigadier Lethbridge-Stewart), John Levene (Sergeant Benton), Richard Franklin (Captain Mike Yates), Roger Delgado (The Master), Paul Grist (Filer), Peter Bathurst (Chinn), Fernanda Marlowe (Corporal Bell), Donald Hewlett (Hardiman), David Savile (Winser), Derek Ware (Pigbin Josh), Bernard Holley (Axon Man), Michael Walker (1st Radar Operator), David G Marsh (2nd Radar Operator), Patricia Gordino (Axon Woman), John Hicks (Axon Boy), Debbie Lee London (Axon Girl), Tim Piggott-Smith (Captain Harker), Kenneth Benda (Defence Minister) & Royston Farrell (Technician).

Writer: Bob Baker & Dave Martin

Director: Michael Ferguson

Parts: 4

Behind the Scenes

  • The first contribution to the show by Bob Baker and Dave Martin.  Originally envisaged as a six or seven-part story, it was scaled back due to issues relating to the budget.
  • The first appearance of the TARDIS interior in Pertwee’s era, and the differences seen here – the corridor between the main doors and the console room and the monitor screen being contained in a roundel.  When the TARDIS interior reappeared later, both features were gone.
  • An overnight snowstorm during location filming necessitated the line regarding the ‘freak weather conditions’ caused by the arrival of Axos.
  • The third and final serial of the Pertwee era to use the Patrick Troughton variation of the theme.
  • Bernard Holley previously appeared in The Tomb of the Cybermen and would reprise his role in The Feast of Axos.  Peter Bathurst had previously appeared in The Power of the Daleks, John Hicks had previously appeared in The Dominators, and Tim Piggott-Smith would go on to appear in The Masque of Mandragora.

Best Moment

Seeing the Master and the Brigadier working together is quite enjoyable.

Best Quote

What else can we do?

Oh, nothing very much.  Oh, I suppose you can take the usual precautions against nuclear blast, like, er, sticky tape on the windows and that sort of thing.

Hardiman and the Master

Claws of Axos - Jo, Doctor, Filer

The Mind of Evil

The Mind of Evil Master Jo Doctor.jpg

We believe what our minds tell us to, Jo.

The Third Doctor

Synopsis

The Doctor and Jo Grant investigate the Keller Machine at Stangmoor Prison, which is being used to remove any malicious elements of prisoners’ personalities. 

Meanwhile, the Brigadier and UNIT are being stretched as they are responsible for security for the World Peace Conference, as well as having to deal with the decommissioning of a Thunderbolt Missile.  Things only get more complicated for the Doctor and the Brigadier when they discover that the Master is behind the Keller Machine.

Review

The Mind of Evil could be seen as a quintessential story of the Third Doctor’s era.  All of the elements are present; Jo and the UNIT family, Roger Delgado’s Master and the Earth-bound nature of the story, however, this has a truly international flavour and feels as though it could be a Bond movie in places.  Some time has passed since the events of Terror of the Autons, clear by the fact that there has been some improvement in the relationship between the Third Doctor and Jo, and the Master developing the Keller Machine, and unlike other six part stories, it feels as though there is enough going on to warrant the story’s length and the direction works well to ensure that the viewer remains engaged. That is not to say that the story is perfect, however, as the story does fall down if you think about the Master’s plan too much and I feel that there is not enough done with the creature inside the Machine.  However, by and large, thanks to the direction, this feels like a fun romp through a story with a truly international feel.  I feel compelled to complement the work done by Stuart Humphyres to bring the first part back to life in colour – I’m sure that it was painstaking work and it really looks fantastic.

One of the strongest elements of this story is that there is enough plot to go around.  In the beginning, the three different plot strands appear to be relatively separate, with the Doctor and Jo off investigating and UNIT in a bit of a panic about the Peace Conference and the destruction of the missile, however, Houghton ties the story together nicely in the end by introducing the Master, and the plot feels quite grand and Bond-like in scope.  Delgado’s Master is suave and menacing in equal measure and adds a great deal of glee to proceedings and a gentlemanly charm to boot.  The scene with him and the Doctor meeting in the Governor’s office in Part 3 feels very much like a confrontation between Holmes and Moriarty, complete with a Bond villain style chair swivel.   There is certainly a sense of swagger and confidence in the production, which certainly helps the story along in its more shaky elements and this is probably due to Combe going over budget.  It certainly feels as though there are loads of extras, especially in the prison break scenes, which is rare for Doctor Who.

The Mind of Evil Prison.jpg

Something else I really liked about this story is that the core cast of the Doctor, Jo, the Brigadier, Benton and Yates get quite a lot to do and there are some lovely moments between some of the characters.  When the Brigadier shows up just in the nick of time to save the Doctor and Jo from Mailer and the Doctor berates him, Courtney has a little smile on his face which makes the viewer think that he knows that the Doctor appreciates it really.  Equally, there’s a really nice moment between the Brig and Benton after the former tells the latter that he is now acting governor of Stangmoor Prison and almost immediately, the Brigadier warns him about getting delusions of grandeur which is quite an amusing moment.  Having spent some considerable time in their company, the writers now feel as though they can flesh out these kinds of interactions here.  The Doctor seems to have become much more favourably disposed towards Jo too, perhaps thanks to continued offscreen adventures in the six months that have elapsed between Terror of the Autons and this story.  The Doctor and the Brigadier seem to have developed a rapport, demonstrated by Courtney’s smirk when the Doctor delivers the following line:

Do you think for once in your life you could arrive just before the nick of time?

The Third Doctor

This isn’t to say that this story is without flaws.  The Master’s plan, for one, feels very generically villainous and not really in keeping with the Master’s modus operandi.  The Master wants to use the missile to destroy the Earth and rule over any survivors, which does feel a bit like it’s been lifted from a Bond movie.  Equally, I would have liked to have seen more development of the creature contained within the Keller Machine.  Some of the best moments are when the Doctor and the Master are subject to it’s psychic impact so it would have been interesting to know where the Master had found it and captured it for this story.  These elements do bother me slightly, but thanks to Coombe’s direction, my mind perhaps didn’t linger on these issues for longer.

The Mind of Evil Jo and the Doctor


Verdict: A really ambitious story with some lovely direction and character moments, which is let down by a few small niggles.  I really like this story, maybe because it reminds of Bond films of this era.  8/10

Cast: Jon Pertwee (The Doctor), Katy Manning (Jo Grant), Nicholas Courtney (Brigadier Lethbridge-Stewart), Richard Franklin (Mike Yates), Pik-Sen Lim (Captain Chin Lee), Raymond Westwell (Prison Governor), Michael Sheard (Dr. Summmers), Simon Lack (Professor Kettering), Neil McCarthy (Barnham), Fernanda Marlowe (Corporal Bell), Clive Scott (Linwood), Roy Purcell (Chief Prison Officer Powers), Eric Mason (Senior Prison Officer Green), Bill Matthews, Barry Wade, Dave Carter & Martin Gordon (Prison Officers), Roger Delgado (The Master), John Levene (Sergeant Benton), William Marlowe (Mailer), Hayden Jones (Vosper), Kristopher Kum (Fu Peng), Tommy Duggan (Senator Alcott), David Calderisi (Charlie), Patrick Godfrey (Major Cosworth), Johnny Barrs (Fuller) & Matthew Walters (Main Gate Prisoner).

Writer: Don Houghton

Director: Timothy Combe

Parts: 6

Behind the Scenes

  • Timothy Combe went so over budget that Barry Letts banned him from working on the programme in the future.  Exceeding of the budget was largely down to the use of a helicopter in the final part.
  • The third story not to feature the Doctor’s TARDIS, although the Master’s TARDIS appears briefly at the end of the story.
  • There is no surviving colour print of The Mind of Evil.  Part One was recolourised by Stuart Humphryes (better known as Babel Colour), whilst the remaining parts were recoloured using chroma-dot restoration.
  • The only story to date to see the Doctor’s dialogue subtitled whilst he is speaking Hokkien.
  • Pik-Sen Lim, who played Captain Chin Lee, was married to Don Houghton.
  • Haven’t I seen you somewhere before?: Michael Sheard (The Ark, Pyramids of Mars, The Invisible Enemy, Castrovalva and Remembrance of the Daleks.


Best Moment

I really like the reveal of the Master in the tent outside UNIT’s headquarters.  I think it is really nicely directed by Combe.

Best Quote

Science has abolished the hangman’s noose, and substituted this infallible method.

People who talk about infallibility are usually on very shaky ground.

Professor Kettering and the Third Doctor